NotesThis is a digitized version of an in-store cassette tape that was played within a Kmart store. See the title of the file for the month and year. I worked at Kmart between 1989 and 1999 and held onto them with the hopes that they would be of use some day. Enjoy!Unfurl
NotesArchive Team is a loose collective of rogue archivists, programmers, writers and loudmouths dedicated to saving our digital heritage. Since 2009 this variant force of nature has caught wind of shutdowns, shutoffs, mergers, and plain old deletions - and done our best to save the history before it's lost forever. Along the way, we've gotten attention, resistance, press and discussion, but most importantly, we've gotten the message out: IT DOESN'T HAVE TO BE THIS WAY. FeedUnfurl
Notes6 years ago, John Gilmore (yes, That John Gilmore) saw that IUMA was in a zombie state and very unlikely to ever get out of the ICU. So he grabbed a copy of all he could – which wasn’t all of it, of course, but it was a hell of a lot of it. He stored them on some backup tapes, and as the site went down, disappeared, and faded into the mists of memory, he looked for a chance to have someone get a copy up somewhere. I was that person.FeedEmbedUnfurl
Notes The Internet Underground Music Archive was better known by the acronym IUMA. The IUMA was started in 1993 by three students at the University of California at Santa Cruz: Jeff Patterson, Jon Luini and Rob Lord. The three men worked together to create an online music archive that would help musicians and bands who weren't signed by a major label. The site allowed these unsigned artists to upload files and send them to fans. The site also enabled the artists the opportunity to talk with their fans. The IUMA was first part of the Usenet newsgroups. Unfurl
NotesFounded in 1985, the DNA Lounge (Dance Not Art) has provided live music acts as well as DJs and special events to the San Francisco area, and is one of the longer-surviving clubs of its kind. In 1999, the club was purchased by Jamie Zawinski, remodeled extensively, and re-opened in 2001. Since that time, it has hosted thousands of performances, all of which have been broadcast over the web and available for a short time after the event. These broadcasts have been downloaded over the last decade and compiled into this archive of shows, matched with information from the DNA Lounge website.Unfurl
Notesgit-annex allows managing files with git, without checking the file contents into git. While that may seem paradoxical, it is useful when dealing with files larger than git can currently easily handle, whether due to limitations in memory, time, or disk space.Unfurl
NotesThe WARC (Web ARChive) format specifies a method for combining multiple digital resources into an aggregate archival file together with related information. The WARC format is a revision of the Internet Archive's ARC File Format [ARC_IA] format that has traditionally been used to store "web crawls" as sequences of content blocks harvested from the World Wide Web. The WARC format generalizes the older format to better support the harvesting, access, and exchange needs of archiving organizations. Besides the primary content currently recorded, the revision accommodates related secondary content, such as assigned metadata, abbreviated duplicate detection events, and later-date transformations.Unfurl
Notes"Today they're called "mac heads", but way back in the 1980's, Apple users were in love with the Apple II. Despite the introduction of the Mac in 1984, the Apple II continued to have its devoted fans. This program looks at the Apple II culture during the early Mac era. Included are the Apple IIc+, the Apple II-GS, and a rare Apple I. Guests include John Sculley and Gary Kildall. Software demonstrations are of Math Blaster, Paintworks Gold, and Microsoft Bookshelf. Also a look at the newest Macintosh at the time, the Mac IIx. Originally broadcast in 1988."Unfurl